In Cinemas June 12!
Filmed over five weeks in Western Australia, the apocalyptic thriller won the coveted The Age Critic’s award for best Australian Feature at the 2013 Melbourne International Film Festival.
The film asks the hard hitting question “What would you do on the last day on Earth?”
THESE FINAL HOURS tells the story of a self-obsessed young man (Nathan Phillips) as he makes his way to the party-to-end-all-parties on the last day on Earth and stars an ensemble of rising Australian acting talent. Zak Hilditch, who wrote and directed the project, is one of Australia’s foremost up and coming talents. His short film Transmission which was made as a companion piece for THESE FINAL HOURS was nominated for Best Film at the 2013 AACTA Awards and won Best Screenplay.
THESE FINAL HOURS was developed through Screen Australia’s Springboard program and with the assistance of ScreenWest.
It’s the last day on Earth, twelve hours before a cataclysmic event will end life as we know it. A troubled young man named James makes his way across a lawless and chaotic city to the party to end all parties. However, along the way he ends up saving the life of a little girl named Rose, desperately searching for her father. Stuck with the unexpected burden of resonsibility, James is forced to come to terms with what really matters in life and helps Rose find her father which ultimately leads him on a path to redemption.
Jessica celebrates her birthday today so happy birthday to this amazing woman and talented actress!! We wish her the very best in her career and her personal life. Lots of love from your fans!
THE LOWDOWNUNDER – It’s the last day of shooting on Melbourne-based director Tony Ayres’ taut crime drama Cut Snake and there’s a crackle of electricity on set as the cast and crew of around 80 folks ready themselves to say goodbye.
It’s been a full-on six weeks of 12-hour shooting days, but Sullivan Stapleton, the upcoming star of 300: Rise of an Empire perhaps best known for his disturbing turn as the aggressive Craig Cody in David Michôd’s Animal Kingdom, is in a playful mood as he sits in the passenger seat of a ‘70s car parked in front of a green screen in a South Melbourne studio.
A big guy rotates a strip light on a helicopter stand to recreate streetlights passing overhead, while another crewmember sprays the dashboard with some magic solution to dull the reflection.
As Ayres leans in to direct Stapleton and his co-stars Jessica De Gouw (These Final Hours, Arrow, Dracula) and Alex Russell (Carrie), Stapleton lunges in and chomps on his elbow, prompting uproarious laughter that breaks the spell of what has been a tense scene.Continue Reading
FEMALE FIRST – Jessica De Gouw has starred in the recent hit series Dracula in two separate parts, and we got the chance to chat to the rising star about her role on the show, chemistry with other cast members including Jonathan Rhys Meyers and Oliver Jackson-Cohen, and just what drew her to taking part in the series.
For those who haven’t yet seen Dracula, can you tell us a little bit about it and the characters you play?
Dracula is the re imagining of Bram Stoker’s classic tale by NBC and Carnival. Set in Victorian London, the series follows many of the original characters, but in this version we had ten hours of television to tell a much more detailed story, and to really explore the complex relationships, old and new.
I play Mina Murray, and Ilona, Dracula’s great love from centuries before, who we see in flashbacks.
What is it about the show that drew you to take part?
When I heard that Dracula was being made into a series by NBC and Carnival, I couldn’t resist. I knew they would do something interesting with it. A period drama with a supernatural twist, seemed like a whole lot of fun.
Did you feel pressure being part of something based on such an iconic story?
I never really felt the pressure of playing an pre-existing character, because I knew i would make it my own, and an audience would either like it or not. My job is to make a choice and commit to it, that’s all I can do.
I knew the show had to offer something different in order to find an audience, but I always knew it was in safe hands.
THE HOLLYWOOD REPORTER – The Hollywood Reporter highlights four other notable season-two teases from Guggenheim and Kreisberg.
Birds of Prey arc will “get there”: The 17th episode, airing March 26, won’t be a direct adaptation of the Birds of Prey comics; instead, it’ll have an Arrow spin. “We gave ourselves room to grow and evolve,” Guggenheim said. “Birds of Prey is very much the same thing. You’re not going to end up with the Holy Trinity of Oracle, Black Canary and Huntress right out of the gate. We’ll get there.” When the Huntress (Jessica De Gouw) returns, “Helena is gone, all that’s left is the Huntress,” Kreisberg teased. “She’s become consumed by this vengeance for her father and when we see her she’s in a very haggard and worn-out state. It’s the big final confrontation between she and her father, and Laurel (Katie Cassidy) gets in the crossfire, and the Canary has to go into the rescue.”
DIY – Everyone’s favourite classic vampire Dracula has once again been given the remake treatment, this time under the gloriously suave and sinister hands of King Henry himself, Jonathan Rhys Meyers. Featuring a number of recognisable faces such as Nonso Anozie from Game of Thrones, and Katie McGrath from Merlin, Dracula manages to bring exactly what you would hope for – part sexy, part scary, but always entertaining.
We had the chance to catch up with Dracula’s leading lady Jessica De Gouw and learn about her origins as an actress in Australia, the differences in now working in America, and just how exciting it is working with a talent like Jonathan Rhys Meyers.
After being so successful in the beginning of your career in Australia, what influenced the move to LA?
It seemed like the right decision for my career. Australia is a lot smaller than the US and UK industries, so I had to leave and create my own opportunities. It was more about being someone that people recognise and getting more work from there. In fact I’ve just wrapped a film in Melbourne with a director I’ve always wanted to work with, so it’s definitely working so far.
What was it like getting a role in a hit TV show almost immediately?
Well I did the traditional pilot season in the US which is pretty intense. You do a load of auditions and then maybe something will come from one of them. I then went home and did a film, then eventually did call backs and jetted off to Vancouver and got very very lucky. It’s not always that easy!
Were you a fan of comic books before getting your role in Arrow? Did u feel any pressure taking on The Huntress?
Oh well there’s obviously that awareness of comics and DC Comics but no, I had to do a lot of learning. The audition was actually a simple script for a role, and I had no idea of the importance of the character. They were quite secretive about it really, not giving it away. As soon as the part was mine, I got a package of DC comics and started learning quickly!